WHAT'S ART

WHAT'S ART? AND WHO SEZ SO.....
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It is art if it is called art, written about in an art magazine, exhibited in a museum or bought
by a private collector.
                                                             						Thomas McEvilley
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Every time art takes a form people don't recognize, they ask "Is that art?"
													Antonio Houmen
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With my own work, it's art when it looks as if I know what I'm doing and when doing it 
makes me feel good.
													Richard Prince
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By now the idea of defining art is so remote I don't think anyone would dare to do it.
													Robert Rosenblum
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Art these days has very little to do with esthetic responses; it has more to do with intellectual 
responses.
													William Rubin
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There's no consensus about anything today; even the notion of standards are in question.
But I don't think art matters less to our lives than it did in past; it probably matters more.
													Philippe De Montebello
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...but that doesn't mean the Federal Government should fund it.
													Peter Hoekstra

We see art as fun.
													Alexander Melamid

 I do know just the idea that because something's in a-gallery,instantlyit's art, 
whereas something somewhere else is not art, is silly and narrow
													Barbara Kruger

People look at art as if it were a checklist...
													Karl Katz

As far as I am concerned, something is a work of art if it is made with the declared 
intention to be a work of art and placed in a context where it is seen as a work of art.
													Robert Hughes

I regard a blank canvas as a joke from beginning to middle to end. When the Museum of 
Modern Art had the big Robert Ryman retrospective, I said:.....
													Morley Safer

Something is a work of art when it has filled its role as therapy for the artist.
													Louise Bourgeois

Good art makes you give something up.
													Robert Storr

When you think about art, you have to think about life.
													Linda Weintraub

THOMAS McEVILLEY Professor of art history, Rice University; contributing editor, Artforum magazine

The last time I was in Houston, I went to a place called Media Center, where someone had set up posts as in a back yard with laundry hung all over. I immediately knew it was an artwork because of where it wa@. if I had seen it hanging in someone's yard, would not have known whether it was art, though it might have been. It is art if it is called art, written about in an art magazine, exhibited in a museum or bought by a private collector.

It seems pretty clear by now that more or less anything can be designated as art. The question is, Has it been called art by the socalled "art system?" In our century, that's all that makes it art. As this century draws to a close, it looks ever more Duchampian. But suppose Duchamp didn't have Andr6 Breton as his flack; most of his work could be dismissed as trash left behind by some crank.

What's hard for people to accept is that issues of art are just as difficult as issues of molecular biology; you cannot expect to open up a page on molecular biology and understand it. This is the hard news about art that irritates the public. if people are going to be irritated by that, they just have to be irritated by that.

We never had any rigid idea about what art could be, and that is why in 1970-71 we began showing movies by artists and videos bv artists. Everybody started talking about @ideo Art, which we thought was silly; we didn't believe it was Video Art but art made by interesting artists using video tapes and films. Every time art takes a form people don't recognize, they ask "Is that art?"

With my own work, it's art when it looks as if I know what I'm doing and when doing it makes me feel good. It's like a good revolution. I've always said art is a revolution that makes people feel good. I don't think art has a consensus. I don't think 10 people in a room talking about art could agree about whether something is good or bad art. I think it's good when I can put myself into another artist's shoes, and wish I could have done that, or could see myself doing it. With someone like Jeff Koons, I don't particularly understand how the work is made. A lot of parts are jobbed out. I don't see the artist's hand in it, so I don't relate to it.

ROBERT ROSENBLUM Professor of art history, New York University; curator at the Guggenheim Museum

There was a great to-do in the 1950's about Abstract Expressionism. It just means people are upset when they see something new. In 1959, a lot of people thought Frank Stella's work was an absolute outrage and a joke. By now the idea of defining art is so remote I don't think anyone would dare to do it. If the Duchamp urinal is art, then anything is. But there has to be consensus about good art among informed people - artists, dealers, curators, collectors. Somebody has to be the first to say something is good, but if you put it up the flagpole and nobody salutes it, then there's nothing there.

WILLIAM RUBIN Director emeritus of painting and sculpture, Museum of Modern Art

There is no single definition of art that's universally tenable. Cultures without even a word for art nevertheless produced great art, for example, the ancient Egyptians. Since the Industrial Revolution, Western societies have felt their social values in continuous flux and their received definitions of be a time when you could pick out something perceptually the way you can recognize, say, tulips or giraffes. But the way things have evolved, art can look like anything, so you can't tell by looking. Criteria like the critic's good eye no longer apply.

Art these days has very little to do with esthetic responses; it has more to do with intellectual responses. You have to project a hypothesis: Suppose it is a work of art? Then certain questions come into play---what's it about, what does it mean, why was it made, when was it made and with respect to what social and artistic conversations does it make a contribution? If you get good answers to those questions, it's art. Otherwise it turned out just to be a hole in the ground.

There are historical criteria evolved over time that have held up. Maybe one Rembrandt is better than another, but you can no longer say Rembrandt is not a good painter. At his time, unlike now, there were accepted criteria that artists' audiences - much more limited audiences - understood. I think the change began with Impressionism when you had a division among people who saw the academic painters as the accepted norm and the avant-guardists represented the others.

There's no consensus about anything today; even the notion of standards are in question. But I don't think art matters less to our lives than it did in past; it probably matters more. Look at the millions who go to museums today. Art has landed in many more households and in the awareness of many more people than ever before. You could argue that because art is so ubiquitous it is even harder to make judgments.

PETER HOEKSTRA Republican Congressman from Michigan and an opponent of the N.E.A

.If people want to say, that's art, great. That's terrific. Art is whatever people want to perceive it to be, but that doesn't mean the Federal Government should fund it.

We see art as fun. As long as it gives us some kick, it goes. Sometimes it's not accepted by the galleries or museums as art, good art, but we believe it is.

I think that art is the ability to show and tell what it means to be alive. It can powerfully visualize, textualize and/or musicalize your experience of the world, and there area million ways to do it. I have trouble with categories; I don't even think high culture,low culture. I just think it's one broad cultural life, and all these different ways of showing and telling are in that. I do know just the idea that because something's in a-gallery,instantly it's art, whereas something somewhere else is not art, is silly and narrow. I'm not interested in narrowing definitions.

KARL KATZ Executive director of Muse Film and Television, which produces films on art.

People look at art as if it were a checklist; the label is sometimes more important than the work of art. My sense is that looking at art is like having a conversation. If it's not visual and it's not visceral and it's not communicative, it's not a work of art.

ROBERT HUGHES Critic and author of "American Visions: The Epic History of Art in America.

The N.E.A. thing is a convoluted mess now, but in its origins it was about people thinking that immoral and disgusting and offensive works were being funded as if they were works of art, that is, as if they were uplifting, worthy noble things. The Puritans thought of religious art as a form of idolatry, a luxury a distraction, morally questionable in its essence, compared to the written and spoken word. The countervailing argument in the 19th century had to do with the moral benefits to be derived from art. As far as I am concerned, something is a work of art if it is made with the declared intention to be a work of art and placed in a context where it is seen as a work of art. That does not determine whether it esthetically rich or stupidly banal.

I regard a blank canvas as a joke from beginning to middle to end. When the Museum of Modern Art had the big Robert Ryman retrospective, I said: "Maybe you are a jerk. Maybe you are the philistine everyone says you are." So I wiped my mind as clean as a Ryman canvas and I walked through the show. Then I walked through the permanent collection. It was like going f rom an absolute desert to a perfect spring day.

Something is a work of art when it has filled its role as therapy for the artist. I don't care about the audience. I'm not working for the audience. The audience is welcome to take what they can.

ROBERT STORR Curator, department of painting and sculpture, Museum of Modern Art

What's interesting is when art changes people's minds. The art historian Leo Steinberg wrote about Jasper Johns that the minute he allowed Johns to be good art, he had to let go of something, of the definition of what art wbis. Good art makes you give something up. For years what the general public had to give up was Impressionism and the idea that painting should make you feel some human warmth. An Agnes Martin or Frank Stella painting is not just giving up images but about giving up warmth

.With Bruce Nauman, emotion comes through video or somebody breathing hard on an audio track; he makes you take in emotion in a new way and let go of what you're used to. We expected that people would respond to our Bruce Nauman exhibition with hostility and stay away in droves.

The good news is that they do understand video and sound works, and when somebody does it well, they get it.

Inside the art world a lot of these issues aren't dealt with because people don't w k ant to be embarrassed. Lay people who react strongly may be better indicators, and the fact that they say it's not art probably means it has touched a nerve.

LINDA WEINTRAUB Freelance curator and author of "Art on the Edge and Over - Searchingfor Art's Meaning in Contemporary Society 1970's-1990's.11

When you think about art, you have to think about life. If art doesn't sensitize us I to something in the world, clarify our perceptions, make us aware of the decisions we have made, it's entertainment.